Alain Delorme, photographer from Paris, captures fascinating photos of bicycle carriers in Shanghai, China. Under the blue sky of a highly colored Shanghai, men carry throughout the city unbelievable piles. These precarious columns made of cardboard or chairs appear as new totems of a society in complete transformation, both a factory for the world and a new El Dorado of the market economy.
In terms of form, the author diverges from a documentary style and its affected neutrality, still adopting some frontality. The image is organized in horizontal strata, like in an archeological section. From the sidewalk to the building, the grounds are positioned at intervals and allow different urban temporalities to coexist: the everyday life, the ephemeral, the unceasing move of the passers-by, and the great transformations, building sites and new towers. Beyond the balance of these compositions, the author breaks the rules of the documentary genre, playing with the edit and the color to present us a type of “augmented reality”, bringing into light the paradoxes of the most dynamic city of China.
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